Tag Archives: Romance

Kissing Games For Girls (A Companion Piece To ‘Good Kisser’)

Yesterday, in the deepest, darkest recesses of my word-processor, I excavated an unpublished article that I composed more than a decade ago.

‘Good Kisser’ (https://beanloveblog.wordpress.com/good-kisser-written-in-springsummer-2004/), a personal account which explores the discomfort I often experienced with regards to sexuality during my teens and early-to-mid-twenties, was not only a testament to how much my writing has improved over the years, but also a window into the ways that it has lost some of its boldness. Because despite the clanging cliches and baggy sentences, and the initial mortification I felt when I reread my proclamation to the world about how I was a ‘bad lesbian’, who often snogged men in straight bars out of boredom, I was secretly pleased with its unyielding honesty – and truth be told – a wee bit jealous of the devil-may-care attitude brandished by my twenty-five-year-old self.

At the time I wrote the piece, I had been single for about half a year, following a final dramatic break-up with my first serious girlfriend; I’d also recently thrown myself head-first into the lesbian dating pool once again and was revelling in the attention. Now, I won’t bore anyone with the specifics of my love life except to say that there were a lot of dates with a lot of different girls; there were also a helluva lot more knock-backs, but that did not dissuade me from putting myself out there time and time again. Back then, I was high on optimism, and it also helped that I was not too bad looking.

These days, I can’t imagine myself seeking romance in a gay bar. I can’t imagine walking up to a strange woman and asking for her phone number or offering to buy her a drink. But I did those things frequently, and without hesitation. My friend, Tracy, who often played the part of wingman, was thoroughly amused at the way I used to ‘work’ the room: staking out the attractive single ladies and then insinuating myself into their conversations, and often their affections; although she admitted to me later that the novelty very quickly wore off as, more often than not, the girls who were most interested in me turned out to be the ones we needed to steer well clear of.

A lot of the scenarios which occurred during that period were later embellished upon as I poured them into my fiction: I wrote mostly about bar-culture and queer-culture at this time; and my butch narrator, Vicky Romeo, gained a greater sense of humility as one by one her previous conquests came back to haunt her during one of the many rewrites of my novel, ‘Vicky Romeo Plus Joolz’ (https://beanloveblog.wordpress.com/an-extract-from-my-novel-vicky-romeo-plus-joolz/), as well as a back story where she endured a lonely adolescence as the girl who had never been kissed.

Nothing was wasted. Nothing is ever wasted. Those hours I spent wining and dining Ms Wrong were valuable experiences, as were the lonely teenage years I whittled away by trying to make myself appear attractive to boys I didn’t really have the heart for.

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Last Tango In Sudbury

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A couple of weeks ago, Antonia asked what I’d prefer as a Valentines gift: a romantic weekend in Manchester (a place I’ve been wanting to revisit for years) or the red, retro, replica telephone box / display cabinet that I saw in a shop in Long Melford. I chose the telephone box, of course – not only is it a beautiful and jaw-dropping collectible piece of furniture, but it’s the perfect kooky habitatat for the remaining fifty or sixty pocket dragon ornaments I hadn’t yet managed to showcase. Anyway, as a result, we will probably be spending a significant amount of time this weekend under my duvet… with a bowl of salty popcorn / kettle chips / other random tasty vegan snack whilst tuning in to the rest of ‘Last Tango In Halifax’. That’s what we’ve been doing all week actually, and we’ve become so hooked on the show that we’ve already binge-watched two seasons in the last five days!

The BBC one comedy-drama about lost opportunities and second chances, was written by British BAFTA winning writer Sally Wainwright and was inspired by her mother, who gained a new lease of life after she married her second husband. The show follows widowed septuagenarians Alan Buttershaw (Derek Jacobi) and Celia Dawson (Anne Reid) who reconnect on facebook then rekindle a romance which started nearly sixty years before. Alan and Celia’s later-in-life relationship and their live-life-to-the-max attitude is juxtaposed to the modern day mayhem that governs the lives of their respective daughters, Gillian (Nicola Walker), a bed-hopping farmer who works part-time in a supermarket, and Caroline (Sarah Lancashire), an Oxford-educated head mistress of an elite secondary school who, unbeknownst to Celia, has become intimate with a female colleague following the breakdown of her marriage to lovecheat ex, John, the father of her two teenage sons.

To be honest, I only started watching this show because of the lesbian storyline between Caroline and Kate (Nina Sosanya): I’d read the appraisals in Diva magazine regarding Sally Wainwright’s portrayal of the relationship between the two forty-something divorcees, and I was curious to know what was so special about it – well, that and the fact that you rarely see lesbians on tv unless they’re in a prison drama or a fleeting fancy in a soap. And I wasn’t disappointed. Aside from the brilliant dialogue, I was pleased to see that neither Caroline or Kate rushed to define themselves ‘gay’ or ‘bisexual’ (although, interestingly enough, other characters did label them); nor did storylines include any long drawn out coming out scenes which ended in hysteria, or tortured depictions of either woman struggling to accept their sexuality. They were shown as just a normal couple.

So I’m glad that Antonia’s mother lent us the DVDs so we could watch ‘Last Tango’. But not just because of the queer-themes. No, I completely fell in love with Alan’s character, and Celia was particularly inspiring with her gutsy gung-ho adventurous streak – I could almost forgive her homophobic references and the stupid faces she pulled whenever she didn’t get her own way. But more than that, I was pleased to see elderly people being represented on TV as something other than doddering old stay-at-home windbags who criticise and complain about everything.

Now I just have to work out what to give Antonia for Valentines day. I’m thinking, perhaps, a few more shades of red, pink and purple acrylic paint. And maybe a new blank canvas. She likes to work whilst the TV is on in the background and has been manically creating recently. I just hope she doesn’t get too excited during season three and splatter the lot on my bedcovers!

Steffi Baby

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Ten years ago, I began seeing someone who had a small child from a previous relationship. It was unchartered ground for both of us because I had little experience with children, and she had none with lesbianism. We muddled along though, and it certainly was a learning curve – in fact, the person who taught me the most was Steffi, my ex’s little girl.

Anyway, when we broke up I was devastated. Not because she was the love of my life (looking back now, she was far from it) but because by having a child she represented a sort of normality for me, and a hope that society would see us as a sort of quirky (if not slightly dysfunctional) little step-family; and also because she was the only person I’d ever brought home that my mother had actually really liked.

I got through the break up the only way I knew how: I wrote about it. I wrote in long-hand in a stream-of-consciousness style, rarely stopping or crossing anything out; and I did this in a variety of cafes and bars around Glasgow, and occasionally in front of the TV whilst the KISS channel with it’s raunchy R’n’B sounds was pounding away in the background. My favourite songs from that period quickly became ‘Fuck It (I Don’t Want You Back’) and ‘F.U.R.B.’ (Fuck You Right Back’) and I think that speaks volumes for my maturity at that point in my life. At the end of three months, however, I had a lighter heart and a full notepad (not to mention a tentative new love interest); and when I typed up what I’d written (pretty much verbatim) I had a novella that was just shy of 40,000 words. (Now I have never been able to write so ferociously or fluidly since than, nor have I ever again been able to get a whole story out without multiple stops and starts. But neither am I suggesting that I have to be going through an emotional uproar to do so.)

‘Steffi Baby’ is a story about Debs, a young, single mother in her middle twenties who is struggling with an anxiety-related disorder which confines her indoors and often to her bed.   It is narrated by her daughter, Steffi, a highly-sensitive and strong-spirited four-year-old, who is blissfully unaware that her mother’s new best friend, Alice, is actually her lover.

This novella is a far cry from autobiography, and although there are parts which were inspired by real life events I preferred to stretch my imagination and write about what could have happened rather than the things which actually took place. It was also never meant as a way of getting back at my ex – and I suppose in a way I am really paying homage to some of the good times we did share. I chose to tell it from Steffi’s point of view because it was too painful (and, frankly, too boring) to tell it from my own; and also because Steffi’s innocence and unrelenting optimism bring humour to what could otherwise have been a rather bleak tale.

Before Xmas, I began redrafting ‘Steffi Baby’ again – I’d previously attempted this back in March but found it was too difficult to finish at that time. This wasn’t because it threw up any unpleasant memories for me – on the contrary, it reminded me of quite a few episodes that made me laugh out loud. I simply struggled with the chronology and the picking apart of an already very tight story.

I’ll admit there have been times when I considered giving up on it completely: that old chestnut ‘no-one reads / publishes novellas anymore’ rattled around in my head; and only yesterday, I was so frustrated with one particularly problematic chapter that I printed out all twenty pages of it before physically cutting and pasting the sentences together; I was also slightly worried that I would be accused of trotting out yet another niche-interest piece of fiction that only lesbians of Scottish nationality would ever read.

I am pleased to report that I am now about ninety-eight percent of the way through the redraft. There was loose talk of me writing a sequel, but I’m not so sure. Antonia thinks I should. We’ll see.

The real Steffi was fourteen this month and I can’t believe where the years have gone. I suppose she will stay forever four years old in my mind. I doubt I will ever cross paths with her again, but wherever she is in this world I wish her and her mother all the very best, and hope that they are happy and well.

Sweet Fanny Adams

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When I first came out to my family more than a decade ago, my mother shrieked then promptly blamed the serious blow to the head that I’d received when I was just fourteen:

‘You’re confused!’ she’d cried. ‘And you’re vulnerable because of all the traumas you’ve had in your life. And it’s not doing you any favours hanging around with all those gay people.’

She swiftly followed this up by asking if I’d now slept with women as well as men, and when I didn’t answer (largely due to embarrassment, because sex was something we’d never talked about), she decided to take this as a no, and therefore proof that I was going through ‘a phase’.

Even now, at the age of thirty-six and a quarter, I find it difficult to discuss my romantic relationships with her, and as a result I’ve experienced a wall of barely concealed resentment gradually piling up between us. Of course, she was right about one thing: it’s quite normal to have emotional and social problems after a brain injury; and so it was no surprise that I found myself regarded with suspicion (and sometimes ridicule), by the wonderful and mysterious lesbian peers that I set out to know.

Frankly, I was desperate to find a girl and fall in love – I wanted moonlight-and-roses, candlelit dinners, fireworks, serenades, and one of those kiss-in-the-rain-endings that you see in old movies; I didn’t just want a romance, no, I wanted a full-blown courtship, but for some reason the girls I met found flowers on a first date inappropriate, and were expecting cunnilingus by at least the second. I wore the term ‘romantic’ like a shiny gold star badge; and in my head, sex was supposed to equal love, and love meant wooing and waiting until they told you that you were ‘the one’, before sweeping them off their feet and into bed. In saying that, a night spent nauseously in a gay bar, jaded with alcohol, and loneliness, and the frustration that I was somehow detached from everyone else and was looking for something that did not exist, was enough for me to temporarily throw chastity to the wind.

When I broke up with the partner I was with before I met Antonia, my whole romantic reverie fell apart spectacularly; and I spent nine months feeling like I wanted to rip my own stupid pulsating heart from my chest and hurl it full force into a spiral slipstream. Every ballad I heard, every dreamy handholding couple I glimpsed on the street, made my insides jerk and my eyes sting. Because even though it was me who had ended the relationship with my ex – I’ll call her Fanny Adams because sweet FA was precisely what I got out of that relationship, and because it softens the blow a little to give her a ridiculous name – I could not stop thinking about her.

I had finally realized that love – albeit it wonderful and warm and fuzzy, like a cotton blanket you want to stay wrapped up in forever – could also be a viper that squeezes and constricts and then turns on you with sharp plunging teeth.

If there had been an on-off switch for my emotions, then I would have jammed it permanently, so that I never again felt that tightening of my chest or the dryness in my throat, when I saw her grinning back at me from photographs we’d posed for, or heard a song on the radio that we had allocated as ‘ours’.

And it didn’t seem to matter how many times I poked and prodded at the corpse of our relationship, for I could not erase the lies she’d told or understand exactly how I’d gotten myself so entangled in her mind games in the first place.

Because the truth was I never in love with her. And right from the start I was suspicious of almost everything she said. But I was also blindly optimistic and I was clinging so badly to this stereotype of what I wanted love to be.

I fell in love with Antonia because she was everything Fanny Adams wasn’t: she moved to Scotland for me; she became vegan for me; and once, during a particularly stressful road trip, she told my mother a few belated hometruths for me.

It just goes to show how much your ideas regarding matters of the heart can change.